Sunday, 13 April 2014

JEAN PAUL GAULTIER - BARBICAN ART GALLERY - LONDON

THE FASHION WORLD OF 

JEAN PAUL GAULTIER:

FROM SIDEWALK TO THE CATWALK


BARBICAN ART GALLERY - LONDON 

9TH APRIL - 25TH AUGUST 2014



































































































































Saturday, 15 March 2014

MARY RAMSDEN'S STUDIO


MARY RAMSDEN'S STUDIO

LONDON E3










Mary Ramsden is engaged in a painterly practise producing minimal yet 'active' works.


Her language presents the subtleties of colour-fields and expressive gestures. It does this not as a contrast but as a complex combination of degrees of mark-making.




The spillage of paint onto the edges of the canvas emphasises the work as an object in space.




This interest in the object points to experimentation towards future sculptural works.






Friday, 14 February 2014

JAEWAN PARK MENSWEAR A/W 2014




JAEWAN PARK

A/W 2014

PHOTOGRAPHY JEAN FRANCOIS CARLY














Monday, 3 February 2014

PEREZ ART MUSEUM MIAMI (PAMM) - HERZOG & de MEURON 2013



 PEREZ ART MUSEUM MIAMI
(PAMM) 

  HERZOG & de MEURON 
2013





The museum was opened on 4th December 2013 and had suffered some controversy surrounding its naming after a majority investor. Mr Jorge Perez donated a reported cash and personal collection deal worth around $40 million.







The building sits on exposed columns and these lines play vertically and horizontally across the outside of the building.
These stilts lift the building off the ground and this is reported as being a fundamental site specific direction in the architectural concept behind the building.
This lifting is to address the heat and heavy hurricane storms that affect the area.











The play of lines is also echoed by columns of hanging plants which add to the softening of the building. These are also viewed from the inside of the building via the continuous glass that opens the halls onto the outside.




External spaces and level openings onto small gardened plots invite visitors to sit and experience views over the bay. 















The building presents discrete spaces and staggered exhibition halls that create a much softer and organic experience of a building for Miami. While also dispelling the idea of the "White Cube".

Each hall is open to the outside but contained sufficiently to support their exhibited works.














Repeated materials and organic surfaces connect the inside and outside. Secluded seating areas with external views allow visitors to rest during their visit.








The project's design and progress was overseen by Chritine Binswanger and carries the reported "lightness" that is her signature.